π κΈ°κ° : 2026. 7.18 - 8.16
π μκ° : μ~μΌ 11:00 - 17:00(μ, ν ν΄κ΄)
π κ²½κΈ°λ κ³ μμ μΌμ°μꡬ νΈμλ‘817 λ μ΄ν¨μ€λͺ° 2μΈ΅ 260νΈ(νλλ°±νμ ν¨ν μ€μ 2μΈ΅ μ°κ²°ν΅λ‘ μ)
π 010-3766-8280 / 031-915-8858
βοΈ μ΄λ©μΌ : marinahyh@outlook.com
π ΏοΈFree : λ μ΄ν¨μ€λͺ° & νλλ°±νμ ν¨ν μ€μ 곡μ©
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πΌοΈ μν λ¬Έμ λ° κ΅¬λ§€
π 010-3766-8280 / 031-915-8858
βοΈ marinahyh@outlook.com
π© Instagram DM : @marina_h_gallery
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μ¬λ¦λ μ λ§μ μΌν
A Clear Pause in Summer
λ¨μ μλ μκ° — μ΄λ€ μκ°
Time That Remains — Certain Times
μ΄λ―Όμ κ°μΈμ 2026. 7. 18 — 8. 16
λ§λ¦¬λ κ°€λ¬λ¦¬ | Marina Gallery
μ΄λ² μ μλ μκ°κ° μ΅κ·Ό μ 보μ΄κ³ μλ κ°κ²°ν μΆμ ννλ‘ μ΄μ΄μ§λ μ΄μ μμ μ νλ¦μ μ‘°λͺ νλ μ리λ€.
μ΄λ―Όμλ κΈΈκ³Ό νκ²½, κ·Έλ¦¬κ³ κ·Έ μμ λ¨κ²¨μ§ μκ°μ νμ μ ν΅ν΄ κ²½νκ³Ό κΈ°μ΅μ΄ μΆμ λλ κ³Όμ μ νλ©΄μ λ΄μμλ€. νλ©΄ μ κΈΈκ³Ό ꡬ쑰, λ°λ³΅λλ νμλ€μ νΉμ ν μ₯μμ μ¬νμ λμ΄ μλ‘ λ€λ₯Έ μκ°κ³Ό κ°κ°μ΄ κ²Ήμ³μ§λ 곡κ°μΌλ‘ νμ₯λλ€.
μ΄λ² μ μμ μκ°λλ 2023~2024λ μνλ€μ μκ°μ μ‘°νμ νμμ΄ λ³ννκ³ νμ₯λλ μ€μν μκΈ°λ₯Ό 보μ¬μ€λ€. νκ²½κ³Ό κΈ°μ΅μ νμ μ μ μ°¨ μμΆλ ννλ‘ λ³ννλ©°, ννμ μ μμ ·μ‘°νμ κΈ°λ°μ μ΄λ£¬λ€.
γλ¨μ μλ μκ°γμ μ¬λΌμ§ κ²μ΄ μλλΌ λ€λ₯Έ ννλ‘ λ¨μ μλ μκ°κ³Ό κ°κ°μ νμ μ λ°λΌλ³΄λ©°, κ³Όκ±°μ νμ¬μ μμ μ΄ μ°κ²°λλ νλ¦μ 보μ¬μ€λ€.
Marina Gallery presents LEE Minsu’s solo exhibition
γTime That Remainsγ, from July 18 to August 16, 2026.
This exhibition explores the artistic progression from the artist’s earlier works toward his current practice of concise abstract painting.
Lee Minsu has reflected on the accumulation of experience and memory through paths, landscapes, and traces of time. In his paintings, paths and structures move beyond the representation of specific places, becoming spaces where different moments and sensations overlap.
The works presented in this exhibition, created between 2023 and 2024, reveal an important period of artistic exploration. The traces of landscapes and memories gradually transform into condensed forms, becoming the emotional and visual foundation of his recent abstract paintings.
γTime That Remainsγ presents the traces of time and sensation that do not disappear, but remain in different forms and continue to connect the past with the present.
[Studio Visit_LEE Minsu]
λ΄λ μ μ½μμμ μμλ, μ¬μ¬λ¦μ γλ¨μ μλ μκ°γ
μ²μ μκ°μ μμ μ€μ μ°Ύμ κ²μ λ΄λ μ μμ λ μ μ μ μλ₯Ό μ€λΉνκΈ° μν΄μμλ€.
μμ μ€ λ²½λ©΄μ κ°λ μ±μ΄ λν νν λλ‘μλ€ — μ κ³Ό μ μ΄ μ΄μ΄ν μμ¬ λ§λ€μ΄λΈ μ κΈ°μ μΈ ννλ€ μμμ μ°λ¦¬λ νμ°Έ λμ μ΄μΌκΈ°λ₯Ό λλμλ€.
κ·Έλ¬λ€ λ¬Έλ, μ΄ μμ λ€μ΄ μ΄λμμ μμλμλμ§ κ·Έ λΏλ¦¬κ° κΆκΈν΄μ‘λ€. μ΄μ μμ μ λ³΄κ³ μΆλ€λ μμ²μ μκ°κ° κΊΌλ΄ λ³΄μΈ κ²μ κ°νλ μμ±ν μ°μμ΄μλ€.
κ·Έ κΈΈ μμμ λ§λ μ¬λλ€, κ³μ λ§λ€ λ¬λΌμ§λ νκ²½, κ·Έ μμ λ΄κΈ΄ μ λ μ λͺ λν¨. λ§κ³ ν¬λͺ ν λ¬Όμ± λ€λ‘ νΌμ³μ§ λλν μ¬λ°±μ λ§μ£Όν μκ°, νμ¬λ¦μ μ μκ° λ μ¬λλ€. κ·Έλ κ² μ¬μ¬λ¦μ μ μκ° κ΅¬μλκΈ° μμνλ€.
λ λ²μ§Έ λ°©λ¬Έμ κ·Έ ꡬμμ΄ νλμ μ μλ‘ μμ±λμ΄κ°λ κ³Όμ μ΄μλ€. λ²½λ©΄μ μ±μ΄ λλ‘μκ³Ό ν¬λ‘ν€, μ€λ μκ° μΆμ λ μμ μ νμ λ€ μ¬μ΄μμ μκ°κ° μ§λμ¨ μκ°κ³Ό νμ¬μ μμ μ΄ μ΄λ»κ² μ΄μ΄μ§κ³ μλμ§λ₯Ό λ€μ λ°λΌλ³΄κ² λμλ€.
μ€μ μ μ₯μμμ μμλ κΈΈμ μ΄λ μκ° νλμ νκ²½μ λμ΄, κΈ°μ΅κ³Ό κ°κ°μ΄ μΌμΌμ΄ μμΈ μκ°μ νκ²½μΌλ‘ λ³ν΄κ°κ³ μμλ€.
μνμ μ λͺ©λΆν° μλ¬Έ, μ μμ νλ¦κΉμ§ μν μ체μ μ¨μ ν μ§μ€νλ©° μ²μλΆν° λ€μ μ λ¦¬ν΄ λκ°λ€. κ·Έ κ³Όμ μμ ν¨κ» 곡κ°νλ λ§μ΄ μλ€.
“μκ°λ κ·Έμ μν μμμ μλ°ν μ‘΄μ¬κ°μΌλ‘ λ¨Έλ¬Όλ¬μΌ νλ€.”
νλ©΄ μ μ¬λ°±μ λΉμμ§ κ³΅κ°μ΄ μλλΌ, κ΄λμμ κΈ°μ΅κ³Ό κ²½νμΌλ‘ μ±μμ§ μλ¦¬μΌ κ²μ΄λ€.
λ΄λ λ΄ μλ‘μ΄ μμ μ μ 보μ΄κΈ° μ , μκ°μ μμ μ΄ μμλ νκ²½μ λ€μ λ§λλ μ μ.
7μ 18μΌ, κ·Έ μ¬μ μ μμνλ€.
κΈ. ν¨μ€ν¬(λ§λ¦¬λκ°€λ¬λ¦¬)

-LEE Minsu's Studio-

-LEE Minsu's Studio-
[Studio Visit_LEE Minsu]
From a Promise for Next Year to This Summer’s Time That Remains
My first visit to the artist’s studio began while preparing for a new exhibition planned for next spring.
Surrounded by large-scale pen drawings covering the walls—organic forms built from countless dots and lines—we spent a long time talking about the artist’s current practice.
Then a question arose: where had these works begun? In response, the artist brought out an earlier series of watercolors painted on Ganghwa Island.
The people encountered along those paths, the changing seasons, and the quiet brightness of childhood memories revealed another beginning. Standing before the generous spaces and luminous transparency of those paintings, the idea for this summer’s exhibition emerged. That was the moment Time That Remains began to take shape.
My second visit was devoted to refining that idea into an exhibition. Among drawings, sketches, and traces of years of work, I began to see more clearly how the artist’s past and present are connected.
The paths that began in real places had gradually become landscapes of memory, sensation, and time.
As we reconsidered the exhibition from the beginning—from its title and curatorial text to the rhythm of the installation—we kept returning to one shared thought:
“An artist should remain as a subtle presence within the work.”
The empty spaces within the paintings are not simply blank; they are places to be filled with the viewer’s own memories and experiences.
Before the artist unveils a new body of work next spring, Time That Remains offers a chance to return to the landscape where that journey first began.
The journey begins at Marina Gallery on July 18.
Text by HAM Yunhee(Marina Gallery Director)

-LEE Minsu's Studio-

λ¨μ μλ μκ°
μ΄λ€ μκ°
κΈΈλ€μ μ΄λ μκ°μμ μμλμμ§λ§
μ§κΈμ νλμ μκ°μΌλ‘ λ¨μ μλ€.
κ²Ήμ³μ§ νμ λ€,
μ΄μ΄μ§λ€ λ©μΆ νλ¦,
μ¬λΌμ§μ§ μκ³ λ¨μ μλ κ²λ€.
μ΄λ€ κ²λ€μ
μμ§λ κ·Έ μ리μ μλ€.
κΈ. ν¨μ€ν¬(λ§λ¦¬λκ°€λ¬λ¦¬)
Time That Remains — Certain Times
The paths began somewhere in time,
and now exist as time itself.
Layered traces,
flows that continued and then paused,
things that have never quite disappeared.
Some things
are still there.
Text by HAM Yunhee (Marina Gallery Director)
π° 보λμλ£ : http://www.daljin.com/display/D109840
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πΌοΈ μν λ¬Έμ λ° κ΅¬λ§€
π 010-3766-8280 / 031-915-8858
βοΈ marinahyh@outlook.com
π© Instagram DM : @marina_h_gallery
μκ°λͺ : μ΄λ―Όμ(LEE Minsu)
μ μμ λͺ©: λ¨μ μλ μκ° Time That Remains
μ μκΈ°κ°: 2026.7.18. - 8.16